TheatrEX Bangladesh is a non-profit platform driven by a group of young theatre alumni in February 2013 following their graduation and post-graduation. We aim to research and perform on and off stage that makes beautiful, inspirational and thought-provoking theatre, and bring together people of all backgrounds to produce outstanding theatre that entertains, inspires, challenges and informs both audiences and participants alike. We wish to share our theatre practice and learn from communities around the world.

On the occasion of the 20th Commonwealth Games, Dokkhina Sundori written by Shahman Moishan was invited and performed at the ‘Tin Forest Theatre Festival’ organised by National Theatre Scotland in 2014. On the eve of the 10th anniversary, TheatrEX produced Selim Al Deen’s SwarnaBoal. The production is supported by the University of Dhaka, Goldsmiths University of London, Chickenshed Theatre UK, British Council, and Jatra Bangladesh.

What sets TheatrEX apart is our commitment to innovation and experimentation. From immersive theatre experiences that blur the line between performer and spectator to avant-garde adaptations of classic works, each production is a bold exploration of the theatrical medium. Whether it's through physical theatre, multimedia integration, or interactive storytelling techniques, TheatrEX continuously pushes the boundaries of what is possible on stage.

Beyond the stage, TheatrEX is deeply invested in fostering connections within the community. Through outreach programs, workshops, and educational initiatives, we strive to make theatre accessible to people of all ages and backgrounds. We collaborate with local schools, community centres, and grassroots organizations to empower aspiring artists, nurture creative expression, and spark a lifelong love for the arts.

Over the years, TheatrEX has garnered critical acclaim and numerous awards for its groundbreaking work. Our productions have been featured at prestigious festivals, toured nationally and internationally, and received rave reviews from audiences and critics alike. From intimate black box performances to large-scale productions in iconic venues, TheatrEX continues to captivate audiences with its fearless approach to storytelling.

Click MORE and scroll down to learn about theeatrEX and the head of the group's named Dr Sudip Chakroborthy

CONTACT & me

The iconic theatre space in Manchester holds a cherished place in my heart. It is where I began my journey into international theatre exhibitions, workshops, and discussions in 2004, and I went on to take part in four memorable festivals – 2004, 2006, 2010, and 2014, titled 'Contacting the World'. The energy of those festivals, the incredible work I witnessed, and the connections I made with fellow artists and audiences have left a lasting impact. Contact is not just a venue; it is a hub of creativity and inspiration that has significantly shaped my artistic path, nurturing growth and guiding my approach to exploring themes of migration, memory, and ecology in my work today.

DIRECTORIAL VENTURES

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Ali Baba and The Forty Thieves

Based on a story of the 'Arabian Nights', the play is reimagined and written by Ummey Hanee , and produced by North South University Cine & Drama Club, Bangladesh in 2024. Click here to see the still pictures of the play.

SWARNABOAL

The play is written by Selim Al Deen was produced by TheatrEX Bangladesh, and supported by the British Council in 2023.

BRICK LANE 78

The play is written by Murad Khan based on the racial attack, violence, resistance and recognition in 1970s Britain that was produced by Purbanat CIC, and supported by Birmingham City Council and Black Community Theatre UK in 2018. Click here to watch the full video of the play.

MEMORi

Charting the lives of three members of Glasgow’s Bangladeshi community, from 1971 and the War of Independence of Bangladesh to the present day, MEMORi presents previously untold stories of escape, settlement and integration, underlining the importance of cross-cultural understanding. Click here to watch the full video of the play.

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Shakespeare Shoptok

The selective parts from seven plays of William Shakespeare performed by the theatre students at Dhaka University at British Council for consecutive two evenings. The venture was part of ShakespeareLives program 2016.

Gohon-Jatra

Rubayet Ahmed written monologue is based on revolves around the dangers of intolerance, violence, global political dynamics and the universal aspiration of peace and freedom. The play is performed by Shamsi Sayeka and produced by Padatik Nattya Sangsad TSC Dhaka, Bangladesh in 2015.

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Pronoy-Jamuna

Based on Sunil Gongopadhaya’s noble ‘Radha-Krisna’, Asadul Islam dramatized the Indian myth, which aims to respond to rising global violence and echoes love and humanity. The play is produced by Subachan Nattyo Sangsad Dhaka in 2016.

Dokkhina Sundari

Shahman Moishan wrote the pantheistic narrative in 2014 that is devised in response to the deforestation and government plan of a coal power plant at the nearest region to the World’s largest mangrove forest named ‘Sundarbans’. Click here to watch the full video of the play; password: itfbangladesh

Chaka

The Kotha-natya is based on an unidentified dead body and the continuous rejection from door to door during the military regime in Bangladesh in 1990.

Macbeth

William Shakespeare's classic was translated into Bangla by Syed Shamsul Hoque that was adapted to the political killings and coup d'état of Bangladesh since 1975, produced by Padatik Nattya Sangsad TSC Dhaka, Bangladesh in 2013.

Lal Jomin

Mannan Heera written monologue is based on the struggle of a woman during the War of Independence of Bangladesh in 1971 and its aftermath. Lal Jomin is produced by Shunyan Repertory in 2011. Click here to watch the full video of the monologue.